A Father's Miracle Cast & Character Guide (Netflix, 2026)
Who’s Who in Netflix’s A Father’s Miracle (2026): Cast & Character Guide
Netflix’s A Father’s Miracle (2026) is built around a simple, devastating engine: a loving father, a little girl, and a system that crushes them both. If you’re looking for the full cast and a clear character guide—who everyone is, how they connect, and what each person represents in the story—you’re in the right place.
You may also see this film referenced by its Spanish title, La celda de los milagros. It’s widely discussed as a Latin American remake of Miracle in Cell No. 7, adapted for a Mexican/LatAm context.
Quick facts (Netflix, 2026)
- Title: A Father’s Miracle
- Also known as: La celda de los milagros
- Format: Movie
- Director: Ana Lorena Pérez Ríos
- Writer: Patricio Saiz
- Original language: Spanish
- Netflix (U.S.) date: February 13, 2026
- Runtime: ~1h 40m
Official trailer
A Father’s Miracle cast & character table
| Actor | Character | Why they matter |
|---|---|---|
| Omar Chaparro | Héctor | The emotional center of the film: a gentle father whose vulnerability is weaponized by power. |
| Mariana Calderón | Alma | Héctor’s daughter; the story’s stakes live in what she loses, learns, and refuses to accept. |
| Natalia Reyes | Maestra Ingrid | A key adult presence outside the prison world; a stabilizing force when Alma needs one most. |
| Gustavo Sánchez Parra | El Tigre | An inmate who reshapes the prison dynamic—proof the film isn’t only about villains and victims. |
| Jorge A. Jimenez | Capitán Avilés | The main antagonist energy: authority, punishment, and consequences with a personal edge. |
| Marco Treviño | Director Navarro | Institutional power inside the prison system; a reminder that “the system” is still people making choices. |
| Arturo Ríos | Iván | A supporting player tied to the case and the pressure-cooker of the prison storyline. |
| Sofía Álvarez | Yadira | Part of the family/community orbit; adds another adult lens on what happens to Alma and Héctor. |
| Biassini Segura | Pedro | A supporting role in the prison ecosystem—where alliances can become lifelines. |
| Solkin Ruz | Guardia García | A face of day-to-day prison control: small decisions that can swing scenes toward cruelty or mercy. |
| Felipe Camargo Vargas | Sombrilla (Preso 1) | A representative inmate role that helps build the “cell block society” around Héctor. |
| Edgar Duran | Padre | Religious/community texture—often where the story places hope, guilt, or redemption. |
Character guide (no spoilers)
Héctor (Omar Chaparro)
Héctor is written to be unmistakably loving and present—someone whose “goodness” is not abstract, but practical: showing up, working hard, and building a small, safe world for Alma. The tragedy is that the same traits that make him a great father also make him easy to target.
Alma (Mariana Calderón)
Alma isn’t just “the daughter.” She’s the film’s clock. Every decision inside the prison is haunted by what’s happening outside it—because Alma has to keep living, whether adults step up or not.
Capitán Avilés (Jorge A. Jimenez)
Avilés represents power that doesn’t need to explain itself. In stories like this, the antagonist isn’t only a person—it’s the idea that authority can become a shortcut to “truth.”
El Tigre (Gustavo Sánchez Parra)
El Tigre is one of the characters who complicates the prison’s moral map. He functions as a test of the film’s core question: can humanity survive inside a place designed to erase it?
Maestra Ingrid (Natalia Reyes)
Ingrid is part of the outside-world backbone: someone positioned to see Alma as a child, not a headline. Her presence matters because stories about wrongful imprisonment often forget the “everyday adults” who decide whether a child collapses—or keeps going.
Director Navarro (Marco Treviño)
Navarro is institutional authority in human form. Whether he is sympathetic, pragmatic, or ruthless scene-to-scene, his role keeps pointing back to the same reality: rules are enforced by people—and people have incentives.
What Reddit Theories Say About this
When a film is a remake, Reddit tends to split into two conversations: (1) comparing emotional “damage” scene-by-scene versus the original, and (2) debating what the new cultural setting changes (and what it doesn’t). If you want a feel for how audiences talk about Miracle in Cell No. 7-style stories, these threads capture the vibe.
Reddit thread: “what movie made you cry like a child?”
Spanish-language Reddit threads also regularly bring up Milagro en la celda 7 (the story family that A Father’s Miracle belongs to) when people ask for the most emotional movies.
Reddit thread: “Compas, que películas los ha hecho moquear?”
How this connects to Miracle in Cell No. 7
The core premise comes from Miracle in Cell No. 7 (2013): a developmentally disabled father is wrongfully imprisoned and forms bonds with inmates who help him reconnect with his daughter. The reason the story keeps getting remade is simple: it reliably creates maximum emotion using a very clear moral contrast (innocence vs. the system) and a relationship audiences instinctively protect (parent + child).
What changes in each adaptation is the texture: the kind of authority figures used, the social backdrop, and how the prison environment is framed. A Father’s Miracle leans into a Latin American setting and tone, which can make familiar scenes feel newly specific even when the story beats are recognizable.
Live X (Twitter) reactions
This embedded feed pulls live results for people posting about the film.
Posts about “A Father’s Miracle” / “La celda de los milagros”FAQ
Is A Father’s Miracle a series or a movie?
It’s a Netflix movie (feature-length film), not a multi-episode series.
Is A Father’s Miracle based on a true story?
The film is generally discussed as an adaptation in the Miracle in Cell No. 7 remake family. If you’re asking whether Héctor is a real historical person, the movie is typically framed as a narrative drama rather than a confirmed biopic.
Is this a “watch with the family” movie?
It’s emotionally intense and includes themes related to prison and injustice. Many viewers treat it as a “bring tissues” film rather than casual background viewing.